1 00:00:01,835 --> 00:00:06,213 [eerie music] 2 00:00:06,297 --> 00:00:08,465 (male narrator) THERE IS A FIFTH DIMENSION 3 00:00:08,550 --> 00:00:11,135 BEYOND THAT WHICH IS KNOWN TO MAN. 4 00:00:11,177 --> 00:00:14,054 IT IS A DIMENSION AS VAST AS SPACE 5 00:00:14,139 --> 00:00:16,974 AND AS TIMELESS AS INFINITY. 6 00:00:17,058 --> 00:00:20,811 IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW, 7 00:00:20,854 --> 00:00:22,980 BETWEEN SCIENCE AND SUPERSTITION. 8 00:00:23,023 --> 00:00:26,150 AND IT LIES BETWEEN THE PIT OF MAN'S FEARS 9 00:00:26,192 --> 00:00:29,236 AND THE SUMMIT OF HIS KNOWLEDGE. 10 00:00:29,320 --> 00:00:31,822 THIS IS THE DIMENSION OF IMAGINATION. 11 00:00:31,865 --> 00:00:36,035 IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE. 12 00:01:13,364 --> 00:01:15,199 WELL, MR. AND MRS. GIBBS. 13 00:01:15,283 --> 00:01:17,034 OH, HELLO, MR. HENSON. 14 00:01:17,077 --> 00:01:19,036 IS YOUR ROOM COM FORTABLE? ANYTHING I CAN DO? 15 00:01:19,120 --> 00:01:22,289 OH, IT'S LOVELY. IT'S JUST LOVELY. 16 00:01:22,373 --> 00:01:26,293 YOU KNOW, YOU MAKE US FEEL, YOU MAKE US FEEL IMPORTANT. 17 00:01:26,377 --> 00:01:28,670 YOU ARE IMPORTANT, MRS. GIBBS. 18 00:01:28,755 --> 00:01:33,717 AFTER ALL, IT ISN'T EVERY DAY THAT WE ENTERTAIN CELEBRATED CONTEST WINNERS. 19 00:01:33,802 --> 00:01:37,596 NO, NOT EVERY DAY. MAYBE EVERY OTHER DAY. 20 00:01:37,680 --> 00:01:41,475 I BROUGHT ALONG OUR HOTEL PHOTOGRAPHER TO TAKE A PICTURE OF YOU AND MR. GIBBS 21 00:01:41,559 --> 00:01:45,979 FOR YOUR HOMETOWN PAPER. NOW, IF YOU COULD JUST GET A LITTLE BIT CLOSER TOGETHER. 22 00:01:46,064 --> 00:01:48,482 AND SMILE. SMILE. OKAY, JOE. READY? 23 00:01:48,566 --> 00:01:51,068 UH-HUH. HOLD IT. 24 00:01:51,111 --> 00:01:53,070 OH, THIS IS SO EXCITING. 25 00:01:53,113 --> 00:01:55,572 THAT'S THE ELGIN BUGLE, MR. HENSON. 26 00:01:55,657 --> 00:01:57,407 HOW'S THAT? 27 00:01:57,492 --> 00:02:00,327 THE ELGIN BUGLE. THAT'S OUR HOMETOWN PAPER. 28 00:02:00,411 --> 00:02:03,747 OH, YES, OF COURSE. WELL, WE'LL SEND THEM OUT A COPY RIGHT AWAY. 29 00:02:03,790 --> 00:02:08,877 NOW, ENJOY YOURSELVES, FOLKS, AND REMEMBER, YOU HAVE UNLIMITED CREDIT. 30 00:02:13,675 --> 00:02:16,093 (narrator) MR. AND MRS. FRANKLIN GIBBS. 31 00:02:16,177 --> 00:02:21,014 THREE DAYS AND TWO NIGHTS, ALL EXPENSES PAID AT A LAS VEGAS HOTEL. 32 00:02:21,099 --> 00:02:24,518 WON BY VIRTUE OF MRS. GIBBS' KNACK WITH A PHRASE, 33 00:02:24,602 --> 00:02:27,771 BUT UNBEKNOWNST TO EITHER MR. OR MRS. GIBBS 34 00:02:27,814 --> 00:02:30,274 IS THE FACT THAT THERE'S A PRIZE IN THEIR PACKAGE 35 00:02:30,316 --> 00:02:33,152 NEITHER EXPECTED NOR BARGAINED FOR. 36 00:02:33,236 --> 00:02:35,988 IN JUST A MOMENT, ONE OF THEM WILL SUCCUMB TO AN ILLNESS 37 00:02:36,072 --> 00:02:38,657 WORSE THAN ANY VIRUS CAN PRODUCE. 38 00:02:38,741 --> 00:02:43,287 A MOST INOPERATIVE, DEADLY, LIFE-SHATTERING AFFLICTION KNOWN AS "THE FEVER." 39 00:02:59,804 --> 00:03:02,139 [cheering] 40 00:03:08,479 --> 00:03:09,938 NUMBER TEN. 41 00:03:12,192 --> 00:03:16,320 FRANKLIN, THERE IS SUCH A FLAVOR TO THIS PLACE. 42 00:03:16,362 --> 00:03:20,657 FLAVOR. THIS IS THE KIND OF FLAVOR I CAN DO WITHOUT, FLORA. 43 00:03:20,742 --> 00:03:23,285 YOU KNOW PERFECTLY WELL HOW I FEEL ABOUT GAMBLING. 44 00:03:23,369 --> 00:03:25,329 OH, THIS IS DIFFERENT, THOUGH. 45 00:03:25,371 --> 00:03:29,708 IT IS NEITHER DIFFERENT NOR MORAL. GAMBLING IS GAMBLING. 46 00:03:29,792 --> 00:03:34,171 HOWEVER, THIS IS YOUR VACATION, FLORA. YOU WON IT. 47 00:03:34,214 --> 00:03:38,175 BUT IN ALL GOOD CONSCIENCE, I MUST REPEAT TO YOU WHAT I'VE BEEN SAYING ALL ALONG, 48 00:03:38,259 --> 00:03:41,011 IT'S A MISERABLE, TERRI BLE, WASTE OF TIME. 49 00:03:41,054 --> 00:03:43,347 BUT, OF COURSE, IT'S WHAT YOU WANTED. 50 00:03:43,431 --> 00:03:47,100 OH, FRANKLIN, TRY TO ENJOY IT, WON'T YOU? 51 00:03:47,185 --> 00:03:48,894 [bells ringing] 52 00:03:53,775 --> 00:03:57,236 I WON! I WON THE JACKPOT! I WON! 53 00:04:06,829 --> 00:04:10,123 I WON. LOOK, I WON. I WON, I WON, I WON. 54 00:04:10,208 --> 00:04:12,542 LOOK, I WON. I WON. 55 00:04:12,627 --> 00:04:14,795 ISN'T THAT MARVELOUS? 56 00:04:43,658 --> 00:04:46,493 JUST WHAT DO YOU THINK YOU'RE DOING? 57 00:04:46,577 --> 00:04:50,080 WELL, IT'S-IT'S ONLY A NICKEL MACHINE. 58 00:04:50,123 --> 00:04:53,667 ONLY A NICKLE MACHINE? WHY DON'T YOU JUST TAKE HANDFULS OF NICKLES 59 00:04:53,751 --> 00:04:56,253 AND THROW THEM OUT INTO THE STREET? 60 00:04:56,296 --> 00:04:59,172 ALL RIGHT. WE GO TO LAS VEGAS. 61 00:04:59,257 --> 00:05:01,341 WE WASTE THREE DAYS AND TWO NIGHTS. 62 00:05:01,426 --> 00:05:04,678 WE DO IT BECAUSE THAT IS YOUR SILLY IDEA OF ENJOYING YOURSELF, 63 00:05:04,762 --> 00:05:06,930 AND BECAUSE IT'S NOT COSTING US ANYTHING. 64 00:05:06,973 --> 00:05:10,809 BUT NOW YOU'RE SPENDING MONEY. AND NOT EVEN SPENDING IT, FLORA. 65 00:05:10,893 --> 00:05:13,437 YOU'RE-YOU'RE J UST THROWING IT AWAY! 66 00:05:13,521 --> 00:05:15,689 WELL, THIS IS WHERE I PUT MY FOOT DOWN. 67 00:05:15,773 --> 00:05:18,608 IT'S QU ITE OBVIOUS TO ME THAT YOU ARE NOT MATURE ENOUGH-- 68 00:05:18,693 --> 00:05:21,445 PLEASE. FRANKLIN, PLEASE, DON'T MAKE A SCENE. 69 00:05:21,529 --> 00:05:24,656 I WON'T PLAY. I PROMISE YOU. 70 00:05:26,451 --> 00:05:30,746 FRANKLIN? THE NICKEL'S ALREADY IN. 71 00:05:33,499 --> 00:05:36,585 ALL RIGHT. THROW IT AWAY. 72 00:05:40,298 --> 00:05:42,758 [coins clattering] 73 00:05:44,594 --> 00:05:48,347 I'M NOT VERY LUCKY, AM I? 74 00:05:48,431 --> 00:05:50,640 I'M GOING BACK TO THE ROOM, FLORA. 75 00:05:52,352 --> 00:05:54,478 HERE YOU ARE, OLD BOY. HERE, WAIT A MINUTE. 76 00:05:54,520 --> 00:05:56,355 PLEASE! 77 00:05:56,439 --> 00:05:58,648 WAIT, YOU TRY IT. I'M ONE HOUR AND 30 MINUTES 78 00:05:58,733 --> 00:06:01,318 ON THIS MISERABLE, CRUMMY, MONEY-G RABBING-- 79 00:06:01,361 --> 00:06:03,320 PLEASE. 80 00:06:03,363 --> 00:06:06,073 HOLD IT. HERE. YOU PLAY. IT'S YOURS. GO AHEAD, PLAY IT. 81 00:06:06,157 --> 00:06:08,658 NO, REALLY, I'M NOT INTERESTED. I'M IN A HURRY. 82 00:06:08,743 --> 00:06:12,204 ALL YOU HAVE TO DO IS PUT IT IN THERE, SEE? AND PULL THE THING. 83 00:06:12,288 --> 00:06:15,582 ALL RIGHT, SWEETI E, I'M COMING. THAT'S THE LITTLE WOMAN, YOU NOW. 84 00:06:15,666 --> 00:06:19,252 LOTS, LOTS OF LUCK, AND I'LL SEE YOU LATER, HUH? 85 00:06:19,337 --> 00:06:21,713 I'M COMING, HONEY. 86 00:06:31,182 --> 00:06:33,725 (MAN) PAY THE LADY RIGHT HERE. 87 00:06:48,908 --> 00:06:51,701 PAY THE LADY RIGHT HERE. PAY THE LADY RIGHT HERE. 88 00:07:11,347 --> 00:07:13,640 [coins clattering] 89 00:07:24,735 --> 00:07:28,280 OH, FRANKLIN, YOU ARE LUCKY! 90 00:07:29,740 --> 00:07:32,159 IT WASN'T EVEN MY DOLLAR. THAT-- 91 00:07:32,243 --> 00:07:37,080 THAT MAN GAVE IT TO ME. HE MADE ME PUT IT IN THE MACHINE. 92 00:07:37,165 --> 00:07:40,125 WELL, NOW YOU'LL SEE THE DIFFERENCE 93 00:07:40,209 --> 00:07:42,335 BETWEEN A NORMAL, MATURE THOUGHTFUL MAN 94 00:07:42,420 --> 00:07:46,089 AND THESE-THESE WILD I DIOTS AROUND HERE. 95 00:07:46,174 --> 00:07:49,259 WE'LL-WE'LL PUT THIS IN OU R ROOM AND WE'LL TAKE IT HOME WITH US. 96 00:07:49,343 --> 00:07:51,386 OF COURSE, DEAR. 97 00:07:51,471 --> 00:07:54,556 YES, BUT NOT THESE BABOONS AROUND HERE. THEY'D THROW IT AWAY. 98 00:07:54,640 --> 00:07:57,350 THEY'D COMPULSIVELY PUT IT BACK IN THE MACHINE. 99 00:07:57,435 --> 00:08:02,314 BUT NOT THE GIBBS. THE GIBBS KNOW THE VALU E OF MONEY. 100 00:08:02,398 --> 00:08:06,026 WELL, COME, MY DEAR. I-I WANT TO SHAVE BEFORE DIN N ER. 101 00:08:28,966 --> 00:08:31,760 [metallic voice] FRANKLIN. 102 00:08:37,892 --> 00:08:39,559 DID YOU SAY SOMETHING? 103 00:08:39,644 --> 00:08:41,561 WHAT? 104 00:08:41,646 --> 00:08:43,230 DID YOU CALL MY NAME? 105 00:08:43,314 --> 00:08:45,148 WHY, NO, DEAR. 106 00:08:47,318 --> 00:08:49,486 I THOUGHT I HEARD-- 107 00:09:28,276 --> 00:09:30,402 [metallic voice] FRANKLIN. 108 00:09:39,704 --> 00:10:01,433 FRANKLIN. 109 00:10:38,012 --> 00:10:40,430 FRANKLIN, IS SOMETHING THE MATTER? 110 00:10:40,514 --> 00:10:42,432 NO, NO. 111 00:10:42,516 --> 00:10:44,643 NOTHING IS THE MATTER. 112 00:10:44,727 --> 00:10:48,313 NOTHING, EXCEPT THAT-THAT-- 113 00:10:48,397 --> 00:10:51,316 THIS IS NOT THE KIND OF MONEY I LIKE TO KEEP, FLORA. 114 00:10:51,400 --> 00:10:55,945 THIS IS-IS TAINTED. THIS IS HIGHLY IMMORAL. 115 00:10:56,030 --> 00:10:58,990 NO GOOD CAN COME FROM MONEY WON LIKE THIS. 116 00:10:59,075 --> 00:11:01,493 I'M-I'M GOING BACK IN THERE 117 00:11:01,577 --> 00:11:06,122 AND FEED IT BACK INTO THE MACHINE, FLORA, AND GET RID OF IT. 118 00:11:06,165 --> 00:11:09,209 OH, FRANKLIN, DO YOUREALLY THINK THAT-- 119 00:11:09,293 --> 00:11:11,294 OF COURSE. 120 00:11:14,173 --> 00:11:18,009 IF THERE'S ONE THING I KNOW, FLORA, IT'S MORALITY. 121 00:11:18,094 --> 00:11:23,181 AND I WILL NOT HAVE THIS TAINTED MONEY SMELLING UP OUR POCKETS. 122 00:11:23,265 --> 00:11:27,852 I'M GOING BACK IN THERE AND I'M-I'M JUST GOING TO GET RID OF IT. 123 00:11:27,937 --> 00:11:31,356 SO, YOU GO BACK TO SLEEP, FLORA. 124 00:12:09,645 --> 00:12:12,564 FRANKLIN, IT'S TERRIBLY LATE. 125 00:12:12,648 --> 00:12:15,275 I KNOW IT'S LATE, FLORA! 126 00:12:30,708 --> 00:12:33,418 LOOK, YOU STAY RIGHT HERE, FLORA. 127 00:12:33,502 --> 00:12:36,671 AND DON'T LET ANYONE ELSE USE THIS MACHINE. I'LL BE RIGHT BACK. 128 00:13:10,956 --> 00:13:14,417 FRANKLIN, THAT'S THE THIRD TIME YOU'VE CASHED A CHECK. 129 00:13:14,502 --> 00:13:16,085 I KNOW THAT. 130 00:13:16,170 --> 00:13:18,463 WELL, YOU'VE SPENT A GREAT DEAL OF MONEY. 131 00:13:18,547 --> 00:13:20,381 I KNOW THAT, TOO. 132 00:13:23,677 --> 00:13:26,304 DON'T YOU THINK YOU OUGHT TO STOP NOW? 133 00:13:26,388 --> 00:13:29,641 HOW CAN I STOP? I'VE LOST A GREAT DEAL OF MONEY. 134 00:13:29,725 --> 00:13:32,143 YOU SAID IT YOURSELF. I'VE GOT TO WIN IT BACK. 135 00:13:32,228 --> 00:13:34,437 BUT WHAT IF YOU DON'T WIN IT BACK, FRANKLIN? 136 00:13:34,480 --> 00:13:36,856 YOU'VE BEEN STANDING HERE NEARLY THREE HOURS. 137 00:13:36,941 --> 00:13:38,983 YES, I KNOW THAT, TOO. 138 00:13:41,779 --> 00:13:44,489 FRANKLIN? DEAR. 139 00:13:44,573 --> 00:13:48,785 YOU KNOW HOW AWFU L YOU FEEL IN THE MORNING AFTER YOU'VE BEEN UP TOO LATE AT NIGHT. 140 00:13:48,869 --> 00:13:52,205 FLORA, WILL YOU KINDLY SHUT YOUR MOUTH? 141 00:13:52,289 --> 00:13:56,042 I HATE A SHREW, FLORA! I HATE A WOMAN WHO STANDS IN BACK OF YOU 142 00:13:56,126 --> 00:13:58,628 AND SEES TO IT THAT YOU HAVE MISERABLE LUCK! 143 00:13:58,671 --> 00:14:02,131 THAT'S WHAT YOU'RE DOING TO ME NOW. YOU'RE GIVING ME MISERABLE LUCK! 144 00:14:02,174 --> 00:14:04,634 NOW PLEASE GO AWAY AND LEAVE ME ALONE! 145 00:14:04,677 --> 00:14:07,136 PLEASE, PLEASE, PEOPLE ARE LISTENING. 146 00:14:07,221 --> 00:14:08,721 THE DEVIL WITH PEOPLE! 147 00:14:08,806 --> 00:14:10,473 I'M NOT CONCERN ED WITH PEOPLE. 148 00:14:10,516 --> 00:14:14,561 I'M--I'M CONCERN ED WITH THIS-THIS MACHINE. 149 00:14:14,645 --> 00:14:17,897 IT'S IN HUMAN THE WAY IT LETS YOU WIN A LITTLE 150 00:14:17,982 --> 00:14:20,900 AND THEN, AND THEN TAKES IT ALL BACK. 151 00:14:20,985 --> 00:14:23,528 IT TEASES YOU. 152 00:14:23,612 --> 00:14:26,990 IT-IT HOLDS OUT PROMISES AN D-AND WHEEDLES YOU. 153 00:14:27,074 --> 00:14:29,868 IT SUCKS YOU IN AND THEN-- 154 00:14:50,848 --> 00:14:52,181 FRANKLIN. 155 00:14:52,266 --> 00:14:53,975 FLORA, GO AWAY! 156 00:14:59,148 --> 00:15:02,609 FIVE HOURS. THAT'S HOW LONG HE'S BEEN THERE. 157 00:15:02,693 --> 00:15:05,695 WHEN THEY GET HOOKED, THEY REALLY GET HOOKED, DON'T THEY? 158 00:15:05,779 --> 00:15:07,864 YEAH. 159 00:16:13,347 --> 00:16:15,014 SOMEBODY 160 00:16:15,099 --> 00:16:16,975 GET ME 161 00:16:17,059 --> 00:16:19,686 A DRINK OF WATER, PLEASE. 162 00:16:19,770 --> 00:16:20,853 FRANKLIN. 163 00:16:20,938 --> 00:16:23,272 HM? 164 00:16:23,357 --> 00:16:26,609 OH. OH, FLORA, WOULD YOU, 165 00:16:26,694 --> 00:16:29,195 WOULD YOU GET ME A DRINK OF WATER? 166 00:16:29,279 --> 00:16:33,449 I--I'VE ALMOST GOT HER LICKED NOW. 167 00:16:33,534 --> 00:16:35,368 YOU SEE, 168 00:16:35,452 --> 00:16:39,455 "SPECIAL JACKPOT, $10,000." 169 00:16:39,498 --> 00:16:43,710 YOU SEE? $10,000. 170 00:16:43,794 --> 00:16:46,838 SHE'S BOUND TO-TO TURN UP IN A LITTLE WHILE. 171 00:16:46,922 --> 00:16:50,883 YOU-YOU JUST HAVE TO STICK WITH HER LONG ENOUGH. 172 00:16:50,968 --> 00:16:52,719 THAT'S ALL. 173 00:17:03,897 --> 00:17:05,064 FRANKLIN. 174 00:17:05,149 --> 00:17:06,733 HUH? 175 00:17:06,817 --> 00:17:08,735 WHAT, UH, 176 00:17:08,819 --> 00:17:10,278 WHAT TIME IS IT, FLORA? 177 00:17:10,362 --> 00:17:13,322 IT'S 8 :00 IN THE MORNING, FRANKLIN. 178 00:17:14,825 --> 00:17:17,827 I-I SWEAR TO YOU, FLORA, 179 00:17:17,870 --> 00:17:19,746 THIS MACHINE MOCKS ME. 180 00:17:19,830 --> 00:17:24,083 IT TEASES, BECKONS, MOCKS ME. 181 00:17:24,168 --> 00:17:26,753 PUT IN FIVE, GET BACK FOU R. 182 00:17:26,837 --> 00:17:30,089 PUT IN SIX, GET BACK FIVE. 183 00:17:30,174 --> 00:17:33,384 BUT IT'S GOT TO PAY OFF, SOONER OR LATER. 184 00:17:33,469 --> 00:17:35,678 IT'S JUST GOT TO, I TELL YOU. 185 00:18:23,185 --> 00:18:25,436 GIVE ME BACK MY DOLLAR. 186 00:18:25,521 --> 00:18:27,605 THAT'S MY LAST DOLLAR! 187 00:18:27,689 --> 00:18:30,399 YOU MISERABLE, DIRTY-- 188 00:18:31,693 --> 00:18:33,528 GIVE ME BACK MY DOLLAR! 189 00:18:42,746 --> 00:18:43,996 FRANKLIN! 190 00:18:44,081 --> 00:18:45,832 GIVE ME BACK MY DOLLAR! 191 00:18:45,916 --> 00:18:46,999 FRANKLIN! 192 00:18:47,084 --> 00:18:49,836 WE NEED A DOCTOR. 193 00:18:49,920 --> 00:18:53,005 IT TOOK MY DOLLAR! IT OWES ME A DOLLAR! 194 00:18:53,090 --> 00:18:55,341 IT TOOK MY DOLLAR! 195 00:18:55,425 --> 00:18:57,343 THAT, THAT MONSTER! 196 00:18:57,427 --> 00:18:59,679 IT OWES ME A DOLLAR! 197 00:18:59,763 --> 00:19:04,767 I WANT MY DOLLAR! I WANT MY DOLLAR! 198 00:19:21,994 --> 00:19:24,537 (Flora) DARLING? 199 00:19:24,621 --> 00:19:27,790 CAN'T YOU SLEEP? 200 00:19:28,792 --> 00:19:30,710 THAT MACHINE. 201 00:19:30,794 --> 00:19:32,461 FRANKLIN. 202 00:19:32,504 --> 00:19:34,755 THAT MACHINE, FLORA. 203 00:19:36,049 --> 00:19:39,177 IT WAS READY TO PAY OFF. 204 00:19:39,261 --> 00:19:42,138 AND IT DELIBERATELY BROKE DOWN SO IT WOULDN'T HAVE TO. 205 00:19:43,974 --> 00:19:49,145 IT--IT'S NOT EVEN A MACHINE, FLORA. 206 00:19:49,188 --> 00:19:52,064 IT'S AN ENTITY. 207 00:19:52,149 --> 00:19:56,319 IT'S A THING WITH A MIND AND A WILL OF ITS OWN. 208 00:19:57,654 --> 00:20:01,073 IT DELIBERATELY BROKE DOWN. 209 00:20:01,158 --> 00:20:04,994 IT DELIBERATELY BROKE DOWN! 210 00:20:05,037 --> 00:20:07,747 THAT--THAT THING! 211 00:20:07,831 --> 00:20:10,249 THAT MONSTER! THAT THIEF! 212 00:20:10,334 --> 00:20:13,002 IT-- 213 00:20:13,045 --> 00:20:16,255 IT TOOK MY LAST SILVER DOLLAR, FLORA. 214 00:20:16,340 --> 00:20:20,760 IT STOLE MY LAST SILVER DOLLAR AND BROKE DOWN! 215 00:20:20,844 --> 00:20:23,012 [metallic voice] FRANKLIN! 216 00:20:33,273 --> 00:20:35,775 WHAT'S THE MATTER, DEAR? 217 00:20:35,859 --> 00:20:38,861 FRANKLIN! 218 00:20:41,949 --> 00:20:44,200 FRANKLIN. 219 00:20:46,078 --> 00:20:48,871 COME BACK TO BED, FRANK-- 220 00:20:49,998 --> 00:21:03,302 FRANKLIN! 221 00:21:09,768 --> 00:21:12,520 FRANKLIN, WHAT IS THE MATTER? 222 00:21:15,774 --> 00:21:17,566 FRANKLIN. 223 00:21:20,279 --> 00:21:22,446 FRANKLIN, WHAT IS IT? 224 00:21:22,531 --> 00:21:26,075 IT'S-IT'S CHASING ME. IT'S FOLLOWING ME. 225 00:21:26,159 --> 00:21:29,495 IT'S TRYING TO GET ME, FLORA! 226 00:21:30,914 --> 00:21:33,499 WHAT IS? WHAT? 227 00:21:35,961 --> 00:21:38,587 THERE'S NOTHING THERE! 228 00:21:50,434 --> 00:21:52,601 FRANKLIN! 229 00:21:58,900 --> 00:22:01,444 FRANKLIN, THERE'S NOTHING HERE, DEAR. 230 00:22:01,528 --> 00:22:03,863 BELIEVE ME, THERE'S NOTHING HERE. 231 00:22:03,947 --> 00:22:06,198 FRANKLIN. 232 00:22:11,788 --> 00:22:16,709 FRANKLIN, FRANKLIN, FRANKLIN. FRANKLIN! 233 00:22:16,793 --> 00:22:21,797 FRANKLIN! FRANKLIN! 234 00:22:21,840 --> 00:22:24,383 FRANKLIN! 235 00:22:24,468 --> 00:22:26,469 FRANKLIN! 236 00:22:26,553 --> 00:22:30,556 [machine continues calling Franklin's name] 237 00:22:34,936 --> 00:22:36,479 [screaming] 238 00:22:36,563 --> 00:22:38,439 [shouts] 239 00:22:43,153 --> 00:22:47,573 NO! 240 00:22:47,657 --> 00:22:50,034 [sobbing] 241 00:22:55,624 --> 00:22:58,584 HIS WIFE SAID HE HADN'T SLEPT FOR 24 HOURS. 242 00:22:58,668 --> 00:23:00,753 THAT'S RIGHT. 243 00:23:00,837 --> 00:23:04,548 I'VE SEEN A LOT OF THEM GET HOOKED BEFORE, BUT N EVER LIKE HIM. 244 00:23:04,633 --> 00:23:08,052 THERE'S A STRETCH ER COMING. IT'LL BE HERE IN A COUPLE OF MINUTES. 245 00:23:08,136 --> 00:23:11,430 ALL RIGHT, EVERYBODY, LET'S GET BACK TO BED. THE SHOW'S OVER. 246 00:23:11,515 --> 00:23:13,766 LET'S GO. LET'S GET OUT OF HERE. 247 00:23:22,359 --> 00:23:24,610 [bell rings] 248 00:23:24,694 --> 00:23:27,279 [coin clacking] 249 00:23:39,709 --> 00:23:44,463 (narrator) MR. FRANKLIN GIBBS, VISITOR TO LAS VEGAS, 250 00:23:44,548 --> 00:23:47,925 WHO LOST HIS MONEY, HIS REASON, AND FINALLY, HIS LIFE 251 00:23:48,009 --> 00:23:50,469 TO AN INANIMATE METAL MACHINE 252 00:23:50,554 --> 00:23:55,057 VARIOUSLY DESCRIBED AS A ONE-ARMED BANDIT, A SLOT MACHINE. 253 00:23:55,142 --> 00:23:57,643 OR IN MR. FRANKLIN GIBBS' WORDS 254 00:23:57,727 --> 00:24:00,980 "A MONSTER WITH A WILL ALL ITS OWN." 255 00:24:01,064 --> 00:24:03,941 FOR OUR PURPOSES WE'LL STICK WITH THE LATTER DEFINITION 256 00:24:04,025 --> 00:24:07,278 BECAUSE WE'RE IN THE TWILIGHT ZONE. 257 00:24:13,702 --> 00:24:16,412 (male presenter) ROD SERLING, THE CREATOR 258 00:24:16,496 --> 00:24:20,833 WILL TELL YOU ABOUT NEXT WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR. 259 00:24:22,502 --> 00:24:24,837 AND NOW, MR. SERLING. 260 00:24:24,921 --> 00:24:27,089 THIS IS THE MODEL OF A NIEU PORT, 261 00:24:27,132 --> 00:24:29,675 FIGHTER AIRCRAFT VINTAGE WORLD WAR I. 262 00:24:29,759 --> 00:24:33,971 NEXT WEEK IT'S FLOWN ON A PATROL OVER FRANCE IN 1917. 263 00:24:34,055 --> 00:24:37,308 AND ITS PILOT DISCOVERS THAT TIME HAS PASSED HIM BY. 264 00:24:37,392 --> 00:24:40,853 KENNETH HAIGH STARS NEXT WEEK IN RICHARD MATHESON'S EXCITING STORY 265 00:24:40,937 --> 00:24:44,106 OF THE LAST FLIGHT ON THE TWILIGHT ZONE. 266 00:24:44,191 --> 00:24:46,609 WE HOPE YOU'LL JOIN US. THANK YOU AND GOOD NIGHT. 267 00:24:48,945 --> 00:24:52,531 [eerie music] 268 00:25:29,819 --> 00:25:32,821 KIMBERLY-CLARK INVITES YOU TO WATCH STEVE MCQUEEN 269 00:25:32,864 --> 00:25:35,324 IN WANTED DEAD OF ALIVE. 270 00:25:35,367 --> 00:25:38,619 SATURDAY NIGHTS OVER MOST OF THE SAME STATIONS. 271 00:25:38,669 --> 00:25:43,219 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0